Dinosaur Dog: le soleil
Showing posts with label le soleil. Show all posts
Showing posts with label le soleil. Show all posts

Wednesday, August 8, 2012

ETERNAL OUTSIDERS




At this time last year, I was drinking. I was working during the day, but my life revolved mostly around drinking. Days and evenings were hot, even besides the pool, and the sun was too shiny too, even behind black glasses. Days were too hot even when I drove my Austin around, windows and roof opened. I spent my time between the ashtray, the fridge, and the water, smoking, drinking, and bathing naked, and the light ate my face while I grew bored.

I dreamt of Australia in the summer. I dreamt of Cairns, of the Rain Forest and the Great barrier reef, of heavenly beaches, and I dreamt of spending days locked up in a motel room to smoke, drink, and watch Nickelodeon. I could see myself go out and walk or swim under the tropical rain when the weight of the sky would melt down with a clocklike regularity, every day at the same time, and fall on my face. I’d swim in the kitsch bean-shaped pool with the amphora fountain, and rain would beat drums on the roofs and the grass will shine, and sometimes I’d hear thunder, and everything would be waterlogged and rain would stream everywhere and I’d be better, I’d be fine.

I dreamt of Australia but I only had Foster to swallow and cigarette butts to crash from the pool, before going to boring parties with a liberty shirt and docksides. The city was taunting me, dusted by light, splotted by heat, she was shining like mirrors in the August brightness, her roads whitened by the sun, when I looked like shit.

I did not want to be sober. I knew I’d be in hell, so I just drank to quiet my brain. I drank anything, but mostly gin, and my brother worried. I read Echine, and The Sun Also Rises, and Under the Volcano, and drank but went through hell still, under the burning sun of the Virgin’s day, burning in front of the calm water, and I was thankful for the ice cubes to imprison everything in my glass.

At that time, I was an outsider. It’s better than « imposter », it’s less pretentious since I did not write Pills and soap, and it really has a nice ring to it. I’m an eternal outsider, and we, at Dinosaur dog, are eternal outsiders. It means you could do real shit if you just cared enough to persevere. It means you could do real shit if you weren’t too lazy to do them after you started. One year ago, I was wasted and my talent was wasted. I was a wreck, but, hey, everybody has to hit rock bottom once in a while. Drinking was fine, there’s something appealing and comfortable in it, though I’m not too proud of that, but I got my shit together in the end. And, don’t worry, I got the girl.

One year ago, I listened to Kisses sunny disco pop, and well, their new track came out yesterday. It's produced by Pete Wiggs, from St Etienne. It’s already old, but we’re not doing it for the fame, we’re doing it out of love, and for the memories.







Monday, March 26, 2012

ASS





Future as always been kind of scary, but somehow with her head on my chest and our pubes tangled, it’s easy to forget it. There are others details like hips and lips and the bed moving and the neighbours listening to music very loudly. With the sun shining over us and people possibly watching us having sex and her boobs looking at me at breakfast, things look really easy. I could get married and live happily ever after if nothing ever changed. I guess all I ever needed was a girl I would not want to screw things up with. (YES THAT'S A PREPOSITION AND FUCK YOU)

Tanlines’ album is finally out and well it’s great. Listen to it asap. Thanks.



So you know, last year and the year before, one of the big thing was that shit people called post-dubstep which really was more deconstructed R&B than anything else. I was a big listener of James Blake and How To Dress Well. Well there’s a bit of this and that in Lapalux’ music, with more samples. There is also a bit of witch house : listen to Gone and think of Salem, and some lighter tunes like Yellow 90’s. Shining like an acid disco ball, this one is easier to get. Still, none of these tracks will be love at first hearing I guess.

Lapalux is an experimental pop artist quite similar to Baths, one of my personal favorites. The beats bite, they’re sour, and arrhythmic, the vocals are ethereal, sometimes fading, sometimes shrilling. These songs lack apparent structure, but there’s a deep emotional content, an apparent weakness and a heart-breaking fragility in them, in the mumbled lyrics or in the shooting sounds or in the warped vocals. I’d walk long walks at night listening to him, in empty streets ; I’ll dodge whores and drunkards, nasty kids and begging homeless and walk hours without even thinking about it.

I guess I know why I love 102 Hours of Introduction best. I looked for that feeling a long time, but I finally found what its beginning reminded me of : the saddest and most beautiful song ever. For information, this song is Hot Chip and Robert Wyatt’s «We’re Looking For A Lot Of Love » remixed by Geese. I’ve no idea where this connection comes from and I don’t care, I just cherish it for the sake of it. It also reminds me lightly of Vondelpark and Jacques Greene’s Another Girl but that doesn’t really matter.